Reminds me of Pippi Longstocking, anybody ever read those?
I’ve got a print of the “waiting room at the vet” one, and I swear he copy/pasted the untied leather shoes from that one.
My god it’s Pippi Longstockings
The light reflection on the worn asbestos tiles just wake some ancient feelings in me. I can smell this hallway in my mind.
I do my job in various buildings of all kinds ages and construction. Recently I was in an old building like in the painting, and the radiators under the windows came on for the first time in the season.
It smelled like burnt dust and the air was dry and warm. Gave me the same kind of feeling and reminded me of my elementary school
That grin says you should see the other guy
Yeah. You can tell she WON that fight. :)
This is a great piece. (And damn, that principal is smoking hot.)
Pretty sure that’s mom come to deal with the girl. In the painting’s day the dad would be at work while mom was probably SAHM. Well, unless you’re referring to the male principal behind the desk…then to each their own.
It’s her!
I thought this was one of the “lost” Norman Rockwell paintings - like the infamous “Turn your head and cough”.
Lost? It’s fairly frequently posted online. Do you have a source indicating it was lost?
Um … my comment was a joke (and an obvious one, I thought). Normal Rockwell never did a “Turn your head and cough” illustration. FYI “turn your head and cough” is something doctors used to have you do while holding your nuts in their hand, to detect a hernia.
They still do, no need for an FYI.
No idea how many Rockwell paintings there are or why this would be construed a s a joke, but I guess “whoosh” me.
Know what I love about Rockwell? The hands. Artists always talk about how hard it is to draw hands. Rockwell, that dude could draw hands, and he knew it. He drew hands in this picture, through the doorway, when there was absolutely no need to, because he could. And if you look at a bunch of his pictures, he doesn’t just draw hands, he draws hands doing complicated things, making complex gestures, gripping fiddly little objects, he draws old people with wrinkled skin and funky joints on their hands… he was goddamn good at drawing hands and he was not shy about showing off his hand-drawing talent.
People calling him an illustrator and not an artist are just jealous of his hands.
Edit:
Hands:
I think it’s pretty well accepted that, even for a classically trained artist, the three most difficult things to paint accurately are human hands, a horse in motion, and the concept of epistemology.
me I just paint the philosophy of science of entelechy like a fuckin moron
That and dignity …
NGL, you had me in the first part
I think Barnett Newman nailed the concept of epistemology
People calling him an illustrator and not an artist are just jealous of his hands.
I don’t call people artists because I have no reason to insult them.
Edgy
Wow, uh, good one.
When I was in college I had a professor who made the argument that Norman Rockwell’s work was best described as illustration rather than art. I think it was partly due to the realism and the focus on “normal” American life with a lack of interpretation or symbolism. But looking at this now I can’t help but think he was totally wrong. The look on the girl’s face that says “you should see the other guy,” the concerned adults having a conversation in the principal’s office, there is a whole story being told here in a single frame. To say this isn’t art seems crazy to me.
Oh good, it’s not just me who sees that… That’s totally the self satisfied smile of someone who knows she gave better than she got
I think that’s because he’s in the uncanny valley bordering on kitsch. And doing realism whilst everybody in art was being postmodern and abstract.
I think he’s in the same vein of Jan Steen, but he was doing it in the sixties.
And sometimes there are little details that escape notice until seeing one of his paintings several times; I’ve seen this one before and I liked it, but this time I noticed the mother’s little smile, like she’s proud that her daughter stood up for herself, or remembering when she once sat on that bench with a black eye, or maybe she’s just amused at kids being kids. I like it more now, and I can’t imagine why anyone looking at this would say it’s not art.
The girl’s rolled up sleeves. We all know that anyone who takes the time to calmly roll up their sleeves before a fight is a badass.
Even the very slight grin on the principal. Sort of saying “I know we gotta punish her…but dammit did that boy deserve the beating”
I thought the woman inside was the school secretary. But I noticed the ribbon in the girls hair unfurled, a bit of schmutz on her knees, and the striations of the tiles.
I have a print of this on wood. My mom got it from her mom. We’ve had it my whole life. I’ve moved 22 times. I’ve lost almost everything I’ve ever owned at least twice. Very few possessions make it through that many moves. But we’ve kept this picture the whole time. It always hangs in the kitchen, except for this time around when it hands above my bed in the living room.
The only other things we own that we’ve had even close to as long are a painting of Snoopy I pulled out of someone’s curbside trash, a red table we got off the side of the road, and some antique pottery and glassware of grandparents that hasn’t been unboxed since the 90s.
Edit to add, view from my bed:
Ignore the dust/cobwebs. I do not dust like I should.
He ended the Saturday Evening Post because he refused to ignore the civil rights era and was stonchly on the side of desegrigation and equal rights, and the post refused to ‘‘be too political’’ and stop hiring him for covers, and no one bought them without his covers.
Says quite a bit that they’d rather be broke than “woke”.
Very cool, and good to know considering the points another poster made about his art being a driving force behind the nostalgia for a Better (read: whiter) past that has ruined so many American minds over the years.
American racism is alive and kicking unfortunately
Nice
Illustration major here. Art is such an overarching term that it can pretty much be used as an umbrella term for nearly anything and everything. Etymologically speaking, Illustration just means making something clear, to communicate some idea to someone else. The concept was modernized to encompass the use of pictographs, texts, and diagrams as visual aids.
All forms of illustrations technically can be classified as pieces of art, as the definitions of art vary wildly. I’ve always taken art to be anything that evokes an emotion novel to either the consumer of art or the producer of the art or conveys a novel idea either back at the artist or to the consumer of art, or some mixture of these. The key thing to me is novelty, which evolves and changes based off of sociocultural norms and personal experience. Again, totally my personal opinion, and fine artists in particular would be able to nitpick this idea to death. Conversations I still enjoy when I have the energy.
Rockwell comes from a very classic Americana age of illustration. Iirc he is at the tail end of the second golden age of illustration (though my knowledge on the history is very rusty). I always preferred the work of his predecessor, JD Leyendecker, and his predecessor, Alfonse Mucha. Purely from a technical standpoint, mind you. The content of their work, to be frank, I find quite banal.
As per this particular piece, it’s a simple narrative piece, obviously well executed technically in oil. The narrative is classic Rockwell. I think Rockwell has been ruined for me just because his work created a nostalgia for a time that never quite existed in America. Don’t get me wrong , I think Rockwell was a stand up guy, especially for his time period.
It’s just that his influence over the American Art and Illustration scene eventually ended up resonating with people who aren’t looking to art for anything more than familiarity, not novelty. Essentially, it’s kitsch. Rockwell unintentionally created the ideal white American past that boomers currently are nostalgic for. An ideal that has had negative ramifications for those of us who have to deal with people who vehemently insist that this idyllic Rockwellian world was the great America we should all return to.
Sorry to make this political, but art, like anything, cannot be divorced from politics. And intentional or not, Rockwell has contributed to American sociopolitical sentiments in profound ways. He practically invented modern Americana. And while it has its charm, I find it exhausting to see it everywhere.
In it’s worst manifestation, Rockwell’s legacy ultimately resulted in producing Thomas Kinkade, America’s richest, and arguably the world’s most evil painter. People like to say second most, but Hitler was always a Nazi first and foremost. Calling Hitler a painter is like calling Ronald Reagan an actor. Like yes, but maybe that’s not what he should be remembered for?
Anyways, the conflation between Illustration and other Artistic disciplines, as well as with differentiating between illustration and art, is a topic of discussion I find very intriguing and one rife with controversy, due in no small part to the ambiguity surrounding the definition of art in general.
I’ve always felt a similar way about his art and was surprised to see that he actually did a few political paintings, particularly some about segregation. What are your thoughts on those? While I appreciate his effort, the ones I saw didn’t seem to offer anything textually substantial beyond simply illustrating a straightforward scene that was relevant to the moment—but this is based on a fairly cursory glance
Rockwell did make attempts to make political work towards the latter part of his career. The hard part about being an artist/celebrity of any renown is that your audience becomes sort of like your golden fetters. You can’t change the content of your work less you alienate your fans and more worryingly, your patrons. I admire Rockwell to some degree for taking a chance to address civil rights in some of his works, but theres a lot of reasons why ultimately throse pieces fell short. Rockwell’'s audience at the time didn’t want him to step outside of his folksy genre he had pigeonholed himself into. Its the equivalent to “I just wanted to watch my football and drink my beer man, why you’d have to bring up politics. I get enough of that elsewhere.”
Additionally, in the case of illustration, sometimes your art style just limits the kinds of messages you can say effectively. Rockwell was an illustrator whose style emphasized and romanticized sweet scenes like from a movie. There’s a reason Disney’s artists take so much inspiration from specific artists and illustrators with a certain romantic flair. Take a look at the sickeningly sweet pastel portrayals of the Victorian bourgeoisie from Fragonard, and imagine that style attempting to address political injustices at that time. It just doesn’t work. Not unless you completely overhaul your style and the way you communicate visually can you convey the message effectively.
Rockwell tried to use his talents to address the civil injustices of his time, but due to the preconceptions he had built up over he years around the kinds of messages that work could convey, he ultimately was unable to convey it as effectively as other artists at the time would be able to.
It may not be a fair comparison to make, but the works of Barbara Jones-Hogu were far more effective illustrative pieces that conveyed the sociopolitical sentiments of the time, partially because she was not pinned down by the limitations of what her previous works conveyed.
Uh… What? Have we been responding to an AI or something? You wrote quite a bit in both comments, but also referred to Rockwell as Rockefeller. Multiple times… But you also edited your comment? I’m so confused…
Lol. Wow. I honestly don’t know how I could have made that many mistakes. My apologies, I am quite sleep deprived. But you can think I’m an AI if you’d like. People confuse my propensity towards overly verbose replies as being AI. Or, yknow, just don’t like it. I edit a lot because I make a lot of typos and catch them later. Thanks for pointing that out. Edited and done.
Thanks for replying! I edit almost every comment for clarification, typos, etc so I don’t fault you for that. I was just confused because every time, you wrote “Rockefeller”, lol. Anyway, I hope you get some sleep and are practicing self-care…
A different person here. FWIW I sometimes get texts and email from a friend that are extremely long and detailed and I was like WTF, I woulda assumed he’s an AI if I didn’t know the guy in person. Then one day we were hanging and I saw him reply to a text, and turns out he was speaking his replies and using speech recognition.
I always preferred the work of his predecessor, JD Leyendecker, and his predecessor, Alfonse Mucha.
Isn’t it J. C. Leyendecker?
Yes. Sorry. Late night posting 😪
Really interesting insights, and good point about the nostalgia for a past that never existed. The work of his predecessors is very nice aesthetically, and Mucha’s seems much more like what that professor would have gladly called art. A lot more stylization at least. I’ve always held kincade’s work in disdain because it struck me as the dullest pablum imaginable, but I hadn’t heard he was also evil. The invidious link didn’t work for me (I’m a filthy yt premium user) but I’ll look up more about that for sure.
Yeah. Please keep in mind I mean no shade at Rockwell himself. I just think he had an unintended negative impact on American culture.
The video in question was part one of a Behind The Bastards Two Parter. Here are the raw links:
https://www.youtube.com/watch?v=QFBQMEn_0rw
https://www.youtube.com/watch?v=b2Jx5WDtzts
Edit: As an aside, if you want to see an artist who I think was equal parts “true artist” and “true illustrator”, I’d look at Edgar Degas.
Oh cool I’ve been slowly catching up on btb for a while now, I just haven’t made it to that one yet. It’s a great podcast in general so I’ll look forward to getting the dirt on him. I remember Degas from an art appreciation class but I don’t immediately recognize any of the works on the image search.
I would argue there is a deeper interpretation. That of the girls always told to smile to look better, yet she is obviously desheveled and rough. But finds joy in the chaos that has ensued from her keeping to herself. The background being the stereotypical school of the time and she is there to shake up the system.
Yeah, that kid’s a stereotypical “tough girl” but she’s the real deal, she really enjoyed that fight, even if she got a black eye and Principal’s Office visit out of it. Too bad she’s not living nowadays, she’d probably be one hell of an MMA fighter.
*Disheveled.
The rest, with attention, can be corrected yourselfly for clarificarity.
can be corrected yourselfly for clarificarity.
*yourself *clarificatory
Art is so subjective that ANYTHING can be art. We’ve all seen the joke art that is a blank canvas with a spot in the middle or something. Your professor reminds me of someone who argues if a movie is a film or not.
This is tremendously enjoyable
Other kid not drawn because that kind of violence and gore would be unacceptable in the 50s.
(“You should see the other guy.”)
Chaos made a grave mistake in interrupting her mf recess.
I respect his contributions to the game and I know this is a thermonuclear take but I fuckin hate Norman Rockwell’s art. The art style. The subjects he painted. Their facial expressions. The soup. Just not at all a fan of his whole deal.
No shade at OP for sharing this, though 🙏
I have a similar reaction, but I find it hard to explain what it is about this picture that puts me off. I think part of it is the mismatch between the highly detailed painting and the cartoony pose and expression of the girl. The way people captioned it in this comment section also reminded me of a cartoon. “You should see the other guy”, sure, but if that captures the entire painting (and I think it does), why put so much effort into it? A simpler style could have conveyed the same message. And don’t get me wrong, I don’t think all realistic paintings are a waste of effort, but this painting isn’t realistic, it’s just detailed.
It would cost you nothing to walk away and keep it yourself. There are plenty that think it’s brilliant. Nevermind extremely difficult to be this good at illustration.
It also cost me nothing to share my subjective opinion of an artist’s work in a respectful way, in a forum conveniently designed for discussion of this exact artist.
respectful
i fucking hate
I don’t disagree that anyone should be able to voice their opinions here, even if it is to express distaste. But let’s not pretend you were doing that respectfully.
Sure, yeah, I can agree with that.
It also cost me nothing to give a shit about a crap take that doesn’t like good skill.
I apologize for upsetting you, I didn’t mean anything personally insulting to you. Hope you have a good day 🙏
Counterpoint, I’ve never met anyone who doesn’t like Norman Rockwell, so I’m interested in hearing their perspective.
I sort of understand where they’re coming from. In a similar fashion, I can’t stand the kid on the cover of MAD magazine. The best way to describe it is a sense of ancient queasiness but even that doesn’t accurately describe my discomfort, not to mention why. The facial expressions in the OP also give me that vibe, but to a much smaller degree.
*But that vibe is still there, such that I would never hang up a piece by Norman Rockwell anywhere in my home.
Hey, I know exactly what you’re talking about with the Mad Magazine kid. I’ve never liked that character. He’s always struck me as weird in an uncomfortable and creepy way. Like he’s stupid and perverted or something. I can’t really explain it, but I know how it makes me feel.
Yes! The Mad Magazine kid has the exact same quality that puts me off of Norman Rockwell’s style.
It’s the uncanny valley effect, isn’t it? Like, almost everything in Rockwell’s paintings is photorealistic but the facial expressions are slightly too caricatural, too exaggerated too be real. Human faces don’t quite work the way he paints them. On one hand, those faces convey an emotion instantly On the other hand, it’s an inauthentic emotion, theatrical, even dumbed-down - all ambiguity removed and subtlety forgotten. The girl is Proud, the woman is Concerned, the principal is Reflecting.
I think adults can and should disagree on things and feel free to voice opinions - especially if done as civilly as this. Not “this sucks” but just “it’s not too my taste”.
There’s a former tough guy on his way to the hospital right now that severely underestimated that girl.
