• Chainweasel@lemmy.world
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    9 months ago

    He paid for it, it’s his art to destroy now.
    If you don’t like that, or think I’m being insensitive, then maybe we shouldn’t let rich people buy and hoard art.
    If they’re culturally or historically important, why are they in a private collection?
    Is it sad to see? Yes, absolutely. But not any more sad than it falling into the hands of a private collector in the first place.

    • Goku@lemmy.world
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      9 months ago

      Agreed 100%.

      Also Assange is a whistleblower and is in jail for it… Sad.

      • hemko@lemmy.dbzer0.com
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        9 months ago

        Assange is not really a whistleblower… He’s a journalist who published the content whistleblowers gave him

        • spacedout@lemmy.ml
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          9 months ago

          More like an editor, even. Making the persecution just so much sadder.

    • admiralteal@kbin.social
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      9 months ago

      If they’re culturally or historically important, why are they in a private collection?

      That’s a really, really crap argument that is permissive of all kinds of cultural genocide. A LOT of artwork is in private collections that by no right should be. I make no claims about this guy’s collection, but the mere fact that it is being bought and sold has no bearing. After all, I live in country that used to “legally” buy and sell people.

      • Ech@lemm.ee
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        9 months ago

        Read more than the first sentence of the comment.

      • mulcahey@lemmy.world
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        9 months ago

        I’m sorry, I’m having difficulty following your point.

        That’s a really, really crap argument that is permissive of all kinds of cultural genocide.

        Isn’t it the opposite? He’s arguing that work of cultural importance should NOT be in private hands. You might say, “Who gets to determine what’s culturally significant? And why do we trust governments to do a better job than private collectors?” Those are fair questions, I think, but then I get lost again:

        A LOT of artwork is in private collections that by no right should be.

        Right, that’s what he’s arguing too.

        I live in country that used to “legally” buy and sell people.

        Ok, so… You acknowledge that just because it’s legal to trade in something, doesn’t mean that it’s moral or ethical. So is that also true of culturally-significant artwork?

        See why I’m confused as to your argument?

  • Muad'Dibber@lemmygrad.ml
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    9 months ago

    Instead, the artist added, he is trying to spark a discussion over why “destroying the life of people means nothing but destroying art is a huge taboo in the world”.

    Well played. If people care more about inanimate objects than someone being tortured by the western powers, their priorities need to be highlighted.

  • can@sh.itjust.works
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    9 months ago

    “I’m not trying to destroy art, and I don’t believe I will have to,” Molodkin told the Guardian, adding that the project, called Dead Man’s Switch, was itself a collaborative artwork like any sculpture or portrait.

    Dammit why do I see his point?

  • yamanii@lemmy.world
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    9 months ago

    Instead, the artist added, he is trying to spark a discussion over why “destroying the life of people means nothing but destroying art is a huge taboo in the world”.

    Let him cook.

  • happybadger [he/him]@hexbear.net
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    9 months ago

    Adjusted for inflation, OJ Simpson’s legal fees during his murder trial were about $10m. I wonder what kind of lawyers you could get for Assange with $45m.

  • saigot@lemmy.ca
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    9 months ago

    Is someone high up in the decision making process a huge art lover or something? It seems like he is just setting fire to a huge pile of money otherwise.

  • livus@kbin.social
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    9 months ago

    I very seldom like installation art but this project has merit. Good for him.