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  • 48 Posts
  • 288 Comments
Joined 1 year ago
Cake day: June 21st, 2023
  • hitagi@ani.socialMtoAnime@ani.social•Look Back - Movie DiscussionEnglish
    3·
    6 days ago

    I’ve seen I Want to Eat Your Pancreas. Kimisui (the short title, because it’s so long lol) kind of feels like getting stabbed in the chest then it’s over. Like what @wjs018@ani.social said, Look Back wasn’t top tier emotional, at least in the same sense as Kimisui.

    Kimisui / Look Back spoilers

    Kimisui banks on the audience’s anticipation on when Yamauchi dies because it’s pre-established that she does die (movie opens with her funeral). The twist takes a different form. There’s also the reveal of the main character’s name. After Yamauchi dies and the MC goes through a cathartic moment, life goes on for him.

    In Look Back, I kept thinking to myself “oh it’s not over yet?” There are several moments after the “twist” when I thought the movie was going to end already but it kept going (for good reasons) so the emotion you feel is a bit different. Perhaps a bit dull. Maybe you can say Look Back doesn’t have a “climax” in the same way Kimisui does.

    Also, Kimisui is grounded completely on reality while Look Back has a segment where two timelines converge. So maybe the realism in Kimisui makes it more emotional.

  • hitagi@ani.socialMtoAnime@ani.social•Look Back - Movie DiscussionEnglish
    2·
    6 days ago

    My friend’s been bugging me to read the manga years ago so now I can say that I “read” it. It was kind of depressing to watch though.

    I’m guessing Fujino and Kyoumoto are two parts of the author (Fujimoto) and it’s essentially his response to how a mangaka keeps on going. The manga was released during the Chainsawman hiatus and I’m guessing there are other references to his other past works.

    Despite that, I’m still figuring out what Kyoumoto means to him. It’s a silly thing to think about but assuming he’s both Fujino and Kyoumoto, and he uses Fujino to represent the mangaka we know, then “who” is Kyoumoto?

    Also this shot reminds me of Misato walking in the corridor:

    And if anyone hasn’t, definitely read Fujimoto’s other one shot “Goodbye Eri”.

  • hitagi@ani.socialMtoAnime@ani.social•Monogatari Series: Off and Monster Season - Episode 3 discussionEnglish
    1·
    2 months ago

    This thread is like 2 months old and I’m rewatching the episodes of the threads I missed on, so let’s go through this via screenshots.

    I’m pretty convinced this toilet sign is Ougi and Nadeko. I think it’s easy to forgot that Ougi is a boy now.

    We finally got the opening for Nademonogatari which features both Kana Hanazawa and Saori Hayami. I don’t know if Nademonogatari is the first time I’ve heard the two together. Both their voices share this characteristic I can’t describe in English but when you hear it, you might get what I mean.

    I’m certain this is a callback to an older scene in the series. Either Koyomi or Ougi meeting with Tsukihi. You can also say Akira if you’d like.

    Marina Inoue sounded completey different here, obviously because this isn’t the same Sodachi we knew. She’s a lot more compassionate and sister-like to Nadeko. I didn’t even recognize her until Nadeko said so herself. I’m actually quite glad Sodachi is doing better here and didn’t turn out to be a one-off character in the series (as she kind of came out of nowhere previously).

    There really is something about girls cutting their hair short when they want to change something about themselves. It’s a really interesting phenomenon that boys don’t really have an equivalent to. More interestingly I guess, this scene parallels with Hitagi and Koyomi during Mayoi Snail.

    By far the shots that reminded me that Monogatari is “peak cinema”, as they say. Live action shots, somewhat reminscent of early 2000s handhelds composited with a running topless Nadeko.

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