This does not apply when you can move or make your own instance. It’s like complaining about tyranny inside your own house. Like, what?
This does not apply when you can move or make your own instance. It’s like complaining about tyranny inside your own house. Like, what?
I think a perfectly acceptable line to draw is “Is it reasonable to expect a large majority of the people on this instance would want this other instance blocked?” If the answer is yes, block them. If somebody has a problem with that, move to a different instance.
I don’t really understand what the problem is.
My hot take is that you don’t actually want fewer streamers. As it stands, pirates benefit the most from content wars because the services are paying more to produce shows than they are receiving in subscriptions.
The obvious losses are legacy content and access to it. I don’t know that there’s a good solution. A streaming service benefits most from surfacing content that will keep you on the platform, meaning either a modern series with promised future seasons, or older content that’s still popular. Any old obscure media is going to lose money for rights holders on a $/stream deal because they could potentially make more $ from a single physical media sale than any amount of streaming would net them (if it’s $/stream, and only 2 people stream it, that’s very little return). And nobody subscribing to these services is going to shell out more money for specific titles because to them, that’s why they’re subscribing in the first place.
Cadence or intonation depending on what you mean.
Edit: This would seem to sum up the various parts of speech pretty concisely https://en.wikipedia.org/wiki/Prosody_(linguistics)
the game we should have had at launch
DLSS, frame-gen and massive CPU/GPU performance boosts
I don’t think the performance is Starfield’s biggest problem.
If you’re looking for an alternative, I’ve had luck with https://subscene.com/
I don’t really know what the best or most popular website is because this one has never really led me astray. That said, I don’t need to use them too often, so your mileage may vary.
I’m sympathetic to the view that artists should be paid for their work. Collectively, artists have produced so much, and these tech companies are funnelling all their work into a machine and recycling it into new works, and profiting off that, without any compensation for the people partially responsible for this new reality. I’m also not interested in people who argue “but actually it’s not copying that’s not how the technology works it’s actually a really complic-” yeah I don’t care. Without the artists you would have nothing.
BUT
Don’t confuse the business practices that make this technology a reality with the technology itself. These tools are incredible, and will result in things that could have never existed previously. I just believe we need to have serious conversations about what they mean for our future.
Does it flush automatically? Could just be a sensor of some kind.
If not I’d report it to the hotel.
I thought this as well, but I’ve started to think they could be useful if I follow way more aggressively, and create a list that is “what I want on my feed” and default to that. It’s stupidly cumbersome, but would have the desired effect. Of course you’re right that they should just let you add directly to a list - I think the reasoning for the current functionality is to limit stalking/harassment, though I don’t exactly understand how that is inhibited at all.
Fascism isn’t a problem we can solve by just not allowing it the more oppressively we try to ban them the more secretive and the more fuel we give to their extremes
This is a commonly held belief that is actually just not true. Certain garbage opinions and behaviours will fester and spread and absolutely make a space worse. Communities that allow toxic behaviour will both push away reasonable people, and attract people with toxic views. Setting proper boundaries, rules, and conduct are important for maintaining a place of healthy discussion.
I don’t mind if they have somewhere to talk with each other - I think you’re correct it’s pointless to try to stop that - I’m just not interested in spending any time there.
Limiting downvotes forces other people to think about bad ideas more, at the cost of letting people with bad ideas think about their bad ideas less. Ideally the bad idea has some tangible rebuttal that the original poster can consider, but ultimately the onus is on you to understand why your ideas aren’t landing. This is all presupposing an idea that is worthy of consideration. People aren’t obligated to convince themselves you’re right, you have the job of convincing others they are wrong, or realizing that you yourself are wrong.
I suck at math, but if the mean is sufficiently over the “positive” threshold, and there’s a low standard deviation across reviews, wouldn’t this have the problem I describe? The more certain people are about the quality of good games, the less relevant the ratio becomes, which is perhaps the opposite of what you would want.
I loved Swiss Army Man, the directors’ previous film, for its weirdness, charm, music, humour and visual flare. Everything Everywhere was an improvement over all of these aspects so I absolutely loved it, such that I can overlook the pacing issues. They never lose the very human story through the madness.
I played it - and if it was truly only made by two people is quite impressive - but it’s just alright. The world is very cool, and is structured around multiple levels of a tower each with their own language that you need to learn to progress. My main issue with the game is that the differences between these languages, and the puzzles built around them, aren’t particularly interesting or deep or varied. There are a few gems, but overall it’s much closer to a traditional adventure game than you might expect on first glance.
That said, the art and world design are very cool.
Edit: As an aside, it’s worth noting that the Steam Reviews metric is a tad misleading in a similar way to Rotten Tomatoes, in that it only gauges ratio of positive reviews, over what those reviews are actually saying. A universal consensus of a game being a 7/10 (if we assume 7/10 is positive) will appear “better” than a game where 99% of people believe it is a 10/10, but 1% think it sucks. It’s good at predicting whether you will like it, it is bad at predicting how much.
There are tons and tons of lists on Letterboxd, a social network built around movies. Sounds like exactly what you’re looking for. You can find popular lists, lists created by users that appeal to your tastes, official lists put out by the site, or anything else really.
Personally, I wouldn’t worry about it too much. Use what you think is appropriate. If you’re unsure, use they/them; if they correct you, adjust accordingly. If you want to be most accommodating, default to they/them for everyone you meet unless they correct you or you learn otherwise. If you’d like others to feel more comfortable providing pronouns, providing your own - even if you believe it is obvious - can be a way to help normalize it for others.
people who sold millions of shares
Is there a source for people selling millions of shares?
The non-specific disdain people have for reporters, media, critics, news, etc. as if everything is created equal. I think there are many people working in news and entertainment media doing good work, yet a common refrain is “media today sucks”. I think it speaks more to how you consume, what you consume, and what you expect, if you believe there is some grand degradation of journalism. Media has certainly become more fragmented, with niches of content and wider levels of quality; the floor is lower, but I also believe the ceiling is higher.
It’s based on assumption, not faith. If we can trust our senses, and if things will continue to be as they have been, then the things we are learning have value. As long as you can recognize that everything could in theory end or completely change at any moment, it’s not blind belief.