That’s not the issue though. There’s a finite amount of money that Spotify pays out based on the amount of subscription fees it is bringing in. That $38 million would be divided up amongst all the other artists if it wasn’t being paid to white noise podcasts.
I’ve listened to some music that is only a few steps away from white noise- atmospheric black metal, dark ambient, etc. Stuff that many people would scoff at and not even call it music. But it was intentionally created, and put out there for people to listen to. Regardless of the quality or enjoyability of the music, it’s unreasonable to draw a line as to what is or is not “sound meant for other people to listen to”.
Just because someone has found a way to make “music” with less effort and doesn’t make it “not music”, regardless of what it sounds like. Hell, one of the most famous pieces of experimental/avant garde music “4’33” is literally silence from the performers and the “music” is the sounds of the environment you are experiencing it in.
If I want to listen to any of these things on Spotify, well, they better pay whoever the rights-holder is that licensed it to Spotify to stream at the agreed upon rate. Spotify, other artists, and (most importantly) their labels can whine all they want. These are the contracts they’ve agreed to and as a subscriber I’ll exercise my contractually-agreed-upon ability to listen to whatever is on the platform for as long as I want. Maybe I’m awake, maybe I’m not, maybe I’m subliminally absorbing the music while sleeping. That’s no one’s business but my own.
That’s not the issue though. There’s a finite amount of money that Spotify pays out based on the amount of subscription fees it is bringing in. That $38 million would be divided up amongst all the other artists if it wasn’t being paid to white noise podcasts.
I’ve listened to some music that is only a few steps away from white noise- atmospheric black metal, dark ambient, etc. Stuff that many people would scoff at and not even call it music. But it was intentionally created, and put out there for people to listen to. Regardless of the quality or enjoyability of the music, it’s unreasonable to draw a line as to what is or is not “sound meant for other people to listen to”.
Just because someone has found a way to make “music” with less effort and doesn’t make it “not music”, regardless of what it sounds like. Hell, one of the most famous pieces of experimental/avant garde music “4’33” is literally silence from the performers and the “music” is the sounds of the environment you are experiencing it in.
If I want to listen to any of these things on Spotify, well, they better pay whoever the rights-holder is that licensed it to Spotify to stream at the agreed upon rate. Spotify, other artists, and (most importantly) their labels can whine all they want. These are the contracts they’ve agreed to and as a subscriber I’ll exercise my contractually-agreed-upon ability to listen to whatever is on the platform for as long as I want. Maybe I’m awake, maybe I’m not, maybe I’m subliminally absorbing the music while sleeping. That’s no one’s business but my own.
It would be divided amongst the record labels and distributed to artists as those labels see fit.
So it’s not the user getting screwed, not the artists getting screwed, but record labels ?!
Record labels are getting screwed over by indie artists in a new niche that has exploded
This is 100% a massive W
Hopefully in accordance with their contracts with artists
Yes, those famously equitable contracts with artists, we’ve all heard legends of their great generosity.
I mean, yes…unfortunately those contracts have always been very exploitative for all but the top music acts.
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